Lesson 1: Ask questions
I teach private voice
lessons to college students in a musical theatre program as well as high-school
students in a college-prep program. Some of them come from a strong choral or
solo background, while others don’t know anything about singing beyond what
they see (and imitate) on popular TV shows. Each student has unique goals and expectations
for voice training, but all of them can benefit from having a solid foundation
in healthy vocal technique. Regardless of the style or format of singing they
prefer, we should give all young singers the gift of knowing how to produce a
healthy sound and care for their voices.
In my teaching, I start
with two basics: posture and breathing. I believe that these are the two most
important building blocks of healthy technique, and this is where I begin with
every new student. I also revisit these topics frequently with my more
experienced singers.
One of the most
informative diagnostic measures I have is to ask the student to explain posture
and breathing to me. I’ll say, “Give me your thirty-second definition of
posture for singing. Next, tell me your definition of breathing for singing.”
I’m often met with a confused stare when I ask this question, and many students
are hesitant or unsure of how to put their thoughts into words. I assure the
students that they aren’t being graded on this, and there are no “wrong”
answers—I’m just interested in learning what they think about when sing.
It’s amazing how much
you can learn by the descriptions that students will give. And it’s especially
helpful if the students also demonstrate the answers through movement. Once they
start talking, they will often reveal areas where they have questions and/or
misconceptions, which can help you chart the course in your teaching.
For example, did the
student talk about taking a deep breath and then demonstrate a high chest
breath? Did the student say you should stand tall and then demonstrate locked
knees and a lifted chin? I frequently hear, “Stand up straight and breathe from
your diaphragm,” but after I ask them to explain how that works, I find out
that they have no idea what the diaphragm actually does. (I love teaching
students about how the lungs and the diaphragm function—it’s a great “aha”
moment for them!)
After the student has
given an answer, I try to find something that’s already headed in the right
direction and offer validation. For example: “I like what you said about
keeping your shoulders relaxed when you sing—that’s definitely important in
good posture, and I can tell you’ve been working on that!” I also identify
something that needs attention: “I agree that standing up tall is important to
good posture, but did you know that when you stood tall just now you locked
your knees? Let’s take a look at what’s happening in your alignment that causes
your knees to lock.”
It’s important that we
meet students on their level and help them build a solid technique that will
support a long and healthy singing career. Ask lots of questions, listen to
what they tell you (and what they don’t tell you), and watch what they show
you. You’ll learn as much as they will!
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Kate McEwen is the manager of
the Sales and Service Department at Lorenz. She has a master’s degree in Voice
Performance from The University of North Carolina—Greensboro, and a bachelor’s
degree in Voice Performance from Wright State University. Kate currently
teaches private voice lessons for the Theatre Department and the Musical
Theatre/Acting Preparatory Program (MAPP) at Wright State University.
I like your technique of asking what your student knows first - what an accurate way to see where their strengths and weaknesses might be AND to remind the singer to think about breathing!
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